Time |
Event |
Location |
9:30-10:15am |
Registration/Light Refreshments
|
CL 501 Corridor |
10:15-10:30am |
Welcome Address
Charles Exley, Department of East Asian Languages and Literatures,
Associate Director of the Film and Media Studies Program
|
CL 501 |
10:30-1:00pm |
Questions of Narrative
Moderator: Lucy Fischer, Department of English, Emerita
- Yasmine Anderson (University of Pittsburgh), “Ancestral Haunting, Trauma Time, and Reparative Refusal in Jordan Peele’s Us”
- Alyssa Canepa (University of Wyoming), “Corporeal Christ: Transgression in Steve McQueen’s Hunger”
- Jordan Parrish (University of Pittsburgh), “The Moebius Crime Film: Doubles, Mirrors, and Four-Dimensional History in Hollow Triumph”
- Aurel Rotival (Université Lyon 2), “Poetics of Cannibalism in 1970s Films: The Limits of Rebellion, between Eucharist and Anthropophagy”
|
CL 501 |
1:00-2:30pm |
Break for Lunch |
–– |
2:30-4:00pm |
Sound(ing)
Moderator: Neepa Majumdar, Department of English
- Eli Boonin-Vail (University of Pittsburgh), “‘A High-Grade Machine and Skilled Operator’: Exposition Image/Sound Aesthetics of Chautauqua in its Circuit and Assembly Contexts”
- Olga Tchepikova-Treon (University of Minnesota), “SignScope Dis/Continued: Deafula‘s Transition from Deaf to Cult Film”
- Emily Best (Birkbeck, University of London), “Hearing the (Ob)scene: How Audio Circumvents the Constraints of the Image in Samuel Beckett’s Rough for Radio II”
|
CL 501 |
4:00-7:00pm |
Break for Dinner |
–– |
7:00-9:00 pm |
Screening – Limited Inventory 1929-1978
Greg Pierce, The Orgone Archive
|
CL 332 |
Time |
Event |
Location |
10:00-10:30am |
Light Refreshments
|
CL 501 Corridor |
10:30-12:00pm |
Rethinking Histories of Cinema
Moderator: Adam Charles Hart, Department of English
- Muxin Zhang (Columbia University), “Censored Gangsters: Hollywood Mafia’s Wasted Years between Scarface and The Godfather”
- Navid Darvishzadeh (Georgia State University), “The Snowman: Heteronormativity and Liminalities of Gender and Sexuality in Iranian Post-Revolutionary Cinema”
- Éloïse Thompson-Tremblay (New York University), “Dances with Codes: Dance and Sex in the Code Era”
|
CL 501 |
12:00-1:30pm |
Break for Lunch |
–– |
1:30-3:00pm |
New Publics
Moderator: Nancy Condee, Department of Slavic Languages and Literatures
- Denis Saltykov (University of Pittsburgh), “Esoteric Revolt in Russia: Slavic Neopaganism in Documentary Series Game of Gods”
- Yumo Yan (Columbia University), “From Online Danmei Literature to Web Series: A Study of Chinese Internet-Based Adaptations Under Censorship”
- Katherine Contess (Brown University), “(Dis)Enclosure of the Fitness Commons”
|
CL 501 |
3:00-3:30pm |
Break, Light Refreshments |
CL 501 Corridor |
3:30-5:00pm |
Industrial Networks
Moderator: Charles Exley, Department of East Asian Languages and Literatures
- Katrina Margolis (University of Texas), “Fear and Explosions in Los Angeles: Who’s Afraid of Virginia Woolf?, Blow-Up, and the End of the Production Code”
- Eva Ivanilova (Independent Scholar), “The Inner Empire: Yakut Industry of Horror”
- Akriti Rastogi (New York University), “Balancing Act: Mapping Competition and Collaboration in Hindi Film Industry”
|
CL 501 |
5:00–6:00pm |
Break and Head to Keynote |
–– |
6:00-7:30pm |
Keynote – Canonical Badness and the New Terrible
Jeffrey Sconce, Northwestern University
|
CL 602 |
7:30-8:30pm |
Catered Reception
|
CL 602 Corridor |