Time |
Event |
Location |
12:00–12:30pm |
Registration |
CL 501 Corridor |
12:30–1:00pm |
Welcome Address by Lucy Fischer
Distinguished Professor of English and Film Studies and Director of the Film Studies Program
|
CL 501 |
1:00–2:15pm |
‘Heart of the City’: Urban Space
Moderator: Lucy Fischer, Film Studies, Department of English
- Katy Ralko (University of Michigan), “Cinematic Bunkers: A Changing Conception of Modern Military Urbanism in Gunner Palace“
- Joseph George (UNC Greensboro), “The War at Home: Security versus Hospitality in Suburban Film”
- Dominique Ficalora (Indiana University of Pennsylvania), “The Visual Spectacle of Urban Warfare: Graffiti/Anti-Graffiti as Rhetorics of Conflict”
|
CL 501 |
2:15–2:30pm |
Break |
CL 501 |
2:30–3:45pm |
‘Reminders’: Memory
Moderator: Marcia Landy, Film Studies, Department of English
- Lauren Ross (The Art Institute of Chicago), “Ritual, Repetition, Transformation: Performative Art Works and the Politics of Mourning”
- Katherine Fisher (University of Michigan), “‘If only they could see it all’: Image, Individualism, and the Construction of Memory in Vimy Memorial Park”
|
CL 501 |
3:45–4:00pm |
Break |
CL 501 |
4:00–5:15pm |
‘Killer System’: Games
Moderator: Ryan Pierson, Film Studies, Department of English
- Brian Keilen (Bowling Green State University), “A Tale of Two Snakes: Negotiating Masculinity in Metal Gear Solid“
- Shaun Richards (College of William and Mary), “‘Tomorrow There will be no Shortage of Volunteers, No Shortage of Patriots’: The Experience of War in Call of Duty”
- M.-Niclas Heckner (University of Michigan), “Immersive Historicity in WWII Video Games”
|
CL 501 |
6:30pm |
Main Reception |
Private Residence |
Time |
Event |
Location |
8:30–9:00am |
Light Refreshments |
CL 501 Corridor |
9:00–10:15am |
‘This Is Who We Are’: National Self-Representation
Moderator: Randall Halle, German Film and Cultural Studies, Department of German
- Nicholas Maradin (University of Pittsburgh), “‘Science Fiction: It’s What We Do Every Day’: Depictions of Contemporary U.S. Military Operations as Science Fiction Cinema”
- Zoë Eckman (New York University), “This is a Woman’s War!: British Women at War, Propaganda, and The Gentle Sex“
- Fiammetta Martegani (University of Milan-Bicocca), “‘Did David Betray His Soldiers?’: An Ethnographic Reading of the Israeli Defense Forces’ Representation in Israeli Cinema”
|
CL 501 |
10:15–10:30am |
Break |
CL 501 |
10:30–11:45am |
‘Face Off’: Seeing the Other
Moderator: Mark Lynn Anderson, Film Studies, Department of English
- Jon Moore (Tulane University), “Photographic Memory and the Obligations of German Militarism During Weimar”
- Linnea Hussein (Columbia University), “Shooting in Prison-of-War Camps: Where Travelogue and Propaganda Meet”
- Maryam Monalisa Gharavi (Harvard University), “The Face Value: Simulacra and Surveillance of the Covered Face in the Age of Hypervisibility”
|
CL 501 |
11:45–1:00pm |
Lunch |
CL 501 |
1:00–2:15pm |
‘Already Home’: Home
Moderator: Daniel Morgan, Film Studies, Department of English
- Cameron Kelsall (Ohio University), “Battle Scenes, Battle Scars: The Malleable Front Line in Stop-Loss“
- Daniel Irving (SUNY Binghamton), “On the Advantages and Disadvantages of Border Life: The Wonderful Country and Exil/stenstialism”
- Nate Campbell (The New School) and Adam Parsons (Syracuse University), “Thief in a Grey Flannel Suit: The Managerial Apocalypse of A Thief in the Night“
|
CL 501 |
2:15–2:30pm |
Break |
CL 501 |
2:30–3:45pm |
‘Empire State of Mind’: 9/11
Moderator: Neepa Majumdar, Film Studies, Department of English
- Inga Meier (University of Pittsburgh), “The Conspirator, Brechtian Verfremdungseffekt, and Civil Rights in Post 9/11 America”
- Brooke Ford (Ryerson University), “Image-Text Relations: The Sayable and the Visible in Brian Wood and Riccardo Burchielle’s Comic DMZ“
- John Trafton (University of St. Andrews), “‘We are met by the Colour Line’: Race and National Mythology in Post-9/11 Combat Films”
|
CL 501 |
4:00–6:00pm |
Keynote Event:
Stephen Prince, “American Film after 9/11″
Renowned film scholar and author of the recent Firestorm.
The event will begin with a screening of the HBO documentary, Baghdad ER (64 min.).
|
FFA Auditorium |
6:00–8:00pm |
Light Reception |
FFA Cloisters |
Time |
Event |
Location |
9:00–9:30pm |
Light Refreshments |
CL 501 |
9:30–10:45am |
‘Somehow, Some Ways’: Forms/Re-imagining Genre
Moderator: Dana Och, Film Studies, Department of English
- Ryan Pierson (University of Pittsburgh), “Plasmas and Rhizomes: The Biology of Violence in Contemporary Animation”
- Jeff Hinkelman (Carnegie Mellon University), “Laughter and the Great War: Comedians, Cartoonists and Memory, 1918–1934″
- Erik Bolt (Pennsylvania State University), “Reclaiming Ancient Epic: The Power of Improvised Filmmaking to Recreate the Homeric Battlefield in Meynin and the Pirates of the Caribbean Trilogy”
|
CL 501 |
10:45–11:00am |
Break |
CL 501 |
11:00–12:15pm |
‘Looked Over’: The Unseen
Moderator: Adam Lowenstein, Film Studies, Department of English
- Sonya Pinero (New York University), “Science Fiction Cinema and Guerrilla Warfare of the 1980s”
- Carolyn Dekker (University of Michigan), “Turning Away to Confront Nuclear War: On the Beach and the Nuclear Pastoral”
- Felipe Martinez-Pinzon (New York University), “Reassessing the Tropics: Representations of Climate in the Colombia–Perú War (1932-1933)”
|
CL 501 |
12:15–12:30pm |
Closing Remarks |
CL 501 |